From his earliest recordings with Roxy Music at the beginning of the 1970s, Bryan Ferry has taken his place as one of the most iconic and innovative artists to emerge in popular music. In his work you hear a vocal and lyrical brilliance that merges the intensity of Lou Reed, the poise of Sinatra and the charisma of Serge Gainsbourg. But then there is something extra - a verve and performance so ultra-modern that it continually breaks new ground.
Ferry’s fourteenth solo album, ‘Avonmore’ was hailed by fans and critics alike as a modern classic in the tradition of ‘Another Time Another Place’ and ‘Boys and Girls.’ Quintessential Ferry, the musical mood of ‘Avonmore’ was racing, edgy, brooding, cinematic. The album’s mix of emotional urgency and darkling intensity was brilliantly sustained, in both original compositions such as ‘Soldier of Fortune’ (co-written with Johnny Marr), ‘Lost’ and ‘Loop de Li’ as well as bravura interpretations of Stephen Sondheim’s ‘Send in the Clowns’ and ‘Johnny and Mary’ by Robert Palmer. Thrillingly modern, utterly assured, ‘Avonmore’ demonstrated all of the qualities that have made Bryan Ferry’s writing, arranging and vocal genius so iconic – tirelessly innovative, uniquely enthralling.