Following the highly anticipated release of his fourth studio album, BLACKSUMMERS’NIGHT, Maxwell, announced he will be coming to the Santa Barbara Bowl on June 26. Tickets go on sale Friday, April 25 at NOON.

In an age of immediacy the idea of waiting sounds hopelessly outdated. But that said, there is something to be said about anticipation. Such is the case with Maxwell’s new album. Yes, after an extended hiatus the sexy ambassador of soul has returned with a brand new look and a fresh yet deliciously vintage sound. The same artist who brought us classic songs like “Sumthin’ Sumthin’,” “Ascension (Don’t Ever Wonder)” and “Lifetime” (not to mention the unforgettably ethereal cover of Kate Bush’s “This Woman’s Work”) is back with a challenging, mature, sensual, courageous and emotionally open album entitled, BLACKsummers’night (Columbia). BLACKsummers’night, the first installment of a trilogy, is a collection well worth the wait.

He might have been out of the spotlight, but Maxwell along with long time collaborator and friend Hod David, had begun crafting BLACKsummers’night several years ago. The album is the first installment of a trilogy entitled BLACKSUMMERS’NIGHT. BLACK is a much darker but soulful compilation, SUMMERS’ leans more toward the gospel side and NIGHT is more a cool collection of slow jams. By late 2008, the process of polishing and shaping the album was full on. Though having much of his creative team on board, Maxwell still approached the creative process with extreme caution and the painstaking meticulousness of a true genius. “Every time I’d get in the studio it would be like am I trying to outdo this last record? I just wanted to make a really good record.” Of course, what Maxwell’s notoriously modest character failed to warn was that what he was creating was more than “good” but rather (like his other projects) a timeless piece of work.

Composed of nine indelible songs BLACKsummers’night finds Maxwell exploring life with a bold and purposeful sensuality unmistakably his own. Opening with a delicate hint of wistful chimes, the first single, “Pretty Wings,” is nostalgic, (“your face will be the reason I smile”) and yet undeniably passionate. “Fistful of Tears,” another song on the album, pushed along by a sturdy and incessant piano, Maxwell, shifting from those oh so recognizable falsettos and baritones, rides the melody like a man both possessed by and resigned to his feelings. Then there’s the jazz thumping “Cold.” Peppered by a funked up horn section and wrapped in a moist honey soaked groove, this fun, head bopping track finds Maxwell asking the eternal lovers question, “why do you like me like you do?” It’s very sexy stuff.

A constant throughout BLACKsummers’night is its live and often raw sound. The entire album was recorded with an extraordinary live ten-piece band. He is taking it back to when a solo genius artist offered music that was close to perfection. No synthesizers, no duets. Just Maxwell bare and in the flesh ready to give old fans and new ones a sensory experience that he never fails to bring.