Florence + The Machine
with: Ghost of a Saber Tooth TigerDate: Tuesday, October 20, 2015
Start Time: 7:00 PM
Artist Bio
To celebrate the release of their new album How Big How Blue How Beautiful, Florence + the Machine will play select U.S. headline dates this fall, which include a stop at the Santa Barbara Bowl on October 20 at 7:00 PM. American Express Card Members can purchase tickets before the general public beginning Tuesday, June 9 at 10:00 AM local time through Thursday, June 11 at 10:00 PM local time. Tickets go on sale Saturday, June 13 at 11:00 AM.
The band performed on “Good Morning America” this morning and stopped by “The Tonight Show Starring Jimmy Fallon” this week to perform “Ship to Wreck,” watch it here. Further, watch the bands recent performances on “Saturday Night Live” here and here. How Big How Blue How Beautiful is out now, reaching #1 on iTunes in 18 countries worldwide including the U.S., U.K., Canada, Australia, Belgium, Finland, Ireland, New Zealand, Norway, Sweden and more.
The new album How Big How Blue How Beautiful is a collection of songs, written and recorded over the course of 2014. Produced by Markus Dravs (Björk, Arcade Fire, Coldplay) with contributions from Paul Epworth, Kid Harpoon and John Hill, the third album by Florence + The Machine is live-sounding, tune-rich, unhinged in all the right places and powerful in all the best ways. In voice and, ultimately, outlook Florence has never sounded better. Order the album HERE.
Don’t miss your chance to see Florence + The Machine at the Santa Barbara Bowl on October 20.
The Goastt is two people, Sean Lennon and Charlotte Kemp Muhl. It is, in itself, a chimera; a fabulous creature made with parts of two distinctly different creatures. It is also an acronym, as you might guess from its being capitalized like that. By virtue of being a friend to, and fan of, both the zygotes in this organism, I know what its letters stand for, but it's not mine to reveal. I expect they will do so at some future point.
Sean Lennon is a man of many hats. Like an alien who fell to earth and had to quickly assimilate humanity, he is a vast rolodex of accents, facts, farce, a myriad of motor skills (from archery to sketching) and can play any musical instrument (as if all undertakings are merely transposable keys to a song he knows by heart). Hyper-aware, there's almost nothing he isn't good at... This may be the result of his legendary genetic endowment, or simply the enormous pressure of his parentage; his father was perhaps the most accessible and experimental songwriter of his century. But, just as he reached the age of 5 when his father might have reared him with the milk and honey of nurture rather than the iron fist of nature, Sean's father was assassinated. As a consequence of this huge event and other shadows, Sean's life has been strangely both circumscribed and exaggerated. To the insouciant improvisational "Art is a Verb!" nature of his parents was added a welter of natural anxieties that would have made Woody Allen feel at home.
Though her background was as unlikely as Sean's, Kemp Muh was as private in its peculiarities as his was public. And her origins as the Georgian daughter of a military lieutenant colonel who had been nipped off to be a supermodel in New York, at about the tender age improbably beautiful girls are usually abducted - which is, chronologically at least, almost criminally young.
It is beautiful and strange and new. Let us watch it grow together.